Cherry and Martin is proud to present a solo exhibition of new, densely layered oil-on-canvas paintings by Steve DiBenedetto.
Steve DiBenedetto’s intensely worked canvases explore painting in the Post Modern world. His process, a sometimes-combative approach that can last many years, has a ferocity to it. DiBenedetto’s paintings drip with energy and the liquid materiality of oil and pigment. They ram together pattern, line, color and imagery with seemingly both abandon and calculated intent.
DiBenedetto speaks of his work as a very compressed expressionism: a meticulous, yet agitated kind of painting. In his work, boundaries become uncertain. Multiple layers of paint create hallucinogenic scenes held together by webs and tendrils. DiBenedetto’s encrusted surfaces display a fascination with assertive color; they organically merge surface and structure into a sometimes plaintive, sometimes exuberant whole.
Critics have described DiBenedetto’s works as depicting invented, science fiction-infused environments, which grapple with the overwhelming abundance of information now present in our lives. Other critics, like New York Times-writer Martha Schwendener, have described DiBenedetto’s work as truly “phenomenal,” placing it in a context with that of artists like Philip Guston. Schwendener adds that as artworks, “The paintings’ layered and distressed surfaces lends them an aura of history and authority, like archaeological objects.”
DiBenedetto’s solo exhibition at the Aldrich Contemporary Art Museum (Ridgefield, CT) interspersed texts by writers like J. G. Ballard, Thomas Pynchon and William Blake alongside his paintings. One area held a collection of ephemera — works on paper, photographs, books, album covers and other materials — culled from the artist’s studio. As an artist who has revitalized the landscape of contemporary painting, DiBenedetto’s work was included in the major exhibition, “Remote Viewing: Invented Worlds in Recent Painting and Drawing,” (2005, Whitney Museum of American Art, New York, NY). The show was curated by Elisabeth Sussman, and placed DiBenedetto’s work alongside friends and peers like Franz Ackermann, Carroll Dunham, Julie Mehretu, Matthew Ritchie, Alexander Ross, and Terry Winters.
Steve DIBENEDETTO’s most recent solo exhibition, “Evidence of Everything,” was at the Aldrich Contemporary Art Museum (Ridgefield, CT) from November 2015 through April 2016. DiBenedetto’s work has been included in such solo and group museum exhibitions as “Remote Viewing” Whitney Museum of American Art (New York, NY); “Curious Crystals of Unusual Purity” PS1 Contemporary Art Center (Long Island City, NY); “Le Consortium Collection” Centre Georges Pompidou (Paris, France); “Slow Art” PS1 Contemporary Art Center (Long Island City, NY); “Embracing Modernism: Ten Years of Drawings Acquisitions” Morgan Library & Museum (New York, NY); “Portrait de l’artiste en motocycliste,” MAGASIN-Centre National d’art Contemporain de Grenoble (Grenoble, France); “Einfach Kunst, Sammlung Rolf Ricke” Neuen Museum (Nurnberg, Germany); “Sieben New Yorker Maler” Kunstverein Museum Schloss Morsbroich (Leverkusen, Germany); “Nachtschattengewaschse-The Nightshade Family” Museum Fridericianum (Kassel, Germany); “Inaugural Exhibition” Museum of Contemporary Art (Geneva, Switzerland). DiBenedetto’s work is included in such public collections as Museum of Fine Arts (Boston, MA); Museum of Modern Art (New York, NY); and Whitney Museum of American Art (New York, NY). DiBenedetto lives and works in New York.
(Cherry and Martin archive)
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Philip Martin Gallery 2712 S. La Cienega Blvd. Los Angeles, CA 90034 +310-559-0100 email@example.com