-
Katy Cowan, dissolved in the brightness; light on tape and the ridge, 2025 -
Rema Ghuloum, Facade (Twilight), 2025 -
Pamela Jorden, Field with Stops, 2024 -
Edgar Bryan, Flowers 1, 2020 -
Aaron Morse, Fossil Record, 2025 -
Kristy Luck, Issue of Insight, 2023 -
Tim Garwood, Knappia, 2025 -
Hubert Schmalix, Lonely, Small, 2023 -
Nathan Mabry, Machines Turn Quickly (No. 2), 2018 -
Kwame Brathwaite, Mer, 1968 -
Carl Cheng, Nature Laboratory Collection 3.0, 1970-2022 -
Christy Matson, Pink Lake, 2024 -
Lisa Sanditz, Poison Ivy, 2024 -
Joanne Petit-Frère, Pride Nebular Crown (Woven, while plugging in Bass), 2021 -
Daniel Dove, Reanimal 1, 2025 -
Lew Thomas, Scale, 1972 -
Pat O’Neill, Sketches on Manifold Paper 25, 1980 -
Sophie Treppendahl, Summer Blues, 2024 -
Michael Rey, Svauno-Qusseo, 2016 -
Sung Jik Yang, Teresa's Garden, 2024 -
James Morse, The Ochre Marsh, 2022 -
Laurie Nye, Tyranny Trees, 2025 -
Elizabeth Newman, Untitled, 2020 -
Robert Overby, Untitled (Portrait of Jesus), 1973 c. -
Jackie Gendel, Year 7, 2025 -
Ericka Beckman, You The Better Expanded Study no. 2, 1982/2014 -
Katy Cowan, (like the night) Position, 2019 -
Aaron Morse, Ancient Ocean, 2023 -
Daniel Dove, Bent, 2013 -
Lisa Sanditz, Black Walnut, 2024 -
Joanne Petit-Frère, Braid "Development vs. Disruption" Crown (Woven, fusing eye-protector of ancestor to, eye projection of existing, futurite), 2021 -
James Morse, Cherry Smoke and Fog on the Bay, 2021 -
Laurie Nye, Emo Landscape XVIII, 2025 -
Holly Coulis, Four Dishes, Warm Light, 2025 -
Sung Jik Yang, Front Yard View, 2025 -
Jackie Gendel, Half Drop, 2021 -
Edgar Bryan, Harpist, 2019 -
Michael Wesik, Leaf Collage, Composition No. 2, 2023 -
Carl Cheng, Organic Visualizer/Assembler, 1970-2016 -
Hubert Schmalix, Perilous Passage, 2017 -
Michael Rey, Pineapple Grit #36 (tête-à-tête), 2014 -
Christy Matson, Sandbar, 2024 -
Pat O’Neill, Sketches on Manifold Paper 13, 1980 -
Robert Overby, St. Serapion’s Collar, 12 February 1973 -
Rema Ghuloum, Still Morning, 2024 -
Tim Garwood, Swing, 2022 -
Sophie Treppendahl, Table with Cloth and Postcards, 2025 -
Nathan Mabry, The Nostalgia of the Infinite (Le Rhinocéros), 2016 -
Tomory Dodge, Tulip, 2025 -
Elizabeth Newman, Untitled, 2020 -
John Joseph Mitchell, Untitled, 2023 -
Kwame Brathwaite, Untitled (Actress and Model Marcia McBroom for Stylistics album shoot), New York, 1976, c. -
Lew Thomas, X/Y, 1974 -
Pat O’Neill, A drawing for Mixing Sound, 1990 c. -
Michael Rey, AGG VUE, 2014 -
Hubert Schmalix, Broken, 2018 -
Ericka Beckman, Cinderella, 1986 -
Tomory Dodge, Copper Thief, 2025 -
Rema Ghuloum, Facade (6 PM), 2025 -
Holly Coulis, Flowers, Water, Vases, 2025 -
Michael Wesik, Forest Thicket, Composition No. 9, 2023 -
Sophie Treppendahl, Green Table Red Nails, 2024 -
Jackie Gendel, In Luminous Flux, 2015 -
Tim Garwood, Kobresia, 2025 -
James Morse, Like Weft Upon the Warp, 2021 -
Daniel Dove, Lindisfarne, 2013 -
Laurie Nye, Mama's Red Roses in McCoy Vase, 2025 -
Muzae Sesay, Maybe Start My Own Town, 2023 -
Lisa Sanditz, Mugwort, 2024 -
Carl Cheng, Organic Lens Viewer #1, 1971 -
Edgar Bryan, Pianist with Braid, 2019 -
Pamela Jorden, Red Tone, 2024 -
Lew Thomas, SAND, 1973/2015 -
Robert Overby, See Robert, 1981-83 -
Joanne Petit-Frère, Studio Hands #20 - White Lace for Marriage, WHY (Self in Black Gloves for Building Brocades w/ Pink Tips, Ayee), 2020 -
Aaron Morse, The Meteorite, 2026 -
Nathan Mabry, The Nostalgia of the Infinite (Le Papillon), 2015 -
Christy Matson, The Slant of Morning, 2025 -
Katy Cowan, the spilling, pulling, tumbling, seized, surface of things, 2020 -
Elizabeth Newman, Untitled, 2013
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