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Lisa Sanditz, 5:01 PM, 2024 -
Robert Overby, A Day in the Life of a Transfere, 1986
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Lew Thomas, ARITHMETICAL PORTRAIT, 1972/2014
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Sky Glabush, Caged Lark, 2020
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Hubert Schmalix, Choir Group, 2024
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Rema Ghuloum, Deep Sea, 2024
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Katy Cowan, fluxing, reflecting, lanterns; a flip, 2021
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Tomory Dodge, Gazer, 2022
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Sophie Treppendahl, In Love, 2023
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Sung Jik Yang, Israel, 2024
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Daniel Dove, Lindisfarne, 2013
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Carl Cheng, M - Breeder, 1971
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Jackie Gendel, Red Moon that Night, 2021
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Elizabeth Newman, Self-Portrait, 2010
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Ericka Beckman, Spoonful, 1987
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Joanne Petit-Frère, Studio Hands #21 - Listening to Ho99o9 w/ Polaroid Self Portrait in Aritzia Dress (Now Gloves off, I'm Out), 2020
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Nathan Mabry, T/O/T/E/M (...dog eat dog...), 2014
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Pat O’Neill, The Decay of Fiction, 2002
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Michael Wesik, The Lollipop Tree, Composition No. 01, 2023
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Kwame Brathwaite, Untitled (Model for fashion photoshoot at Brathwaite’s Chelsea Studio), 1973 c.
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Muzae Sesay, When We Were Here Last IV (Ruby Room), 2023
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Christy Matson, Wild Geographies, 2024
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John Joseph Mitchell, Wildflowers in the Grass, 2022
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Katy Cowan, (by way of) a potential, 2019
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Elizabeth Newman, At home with you, 2010
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John Joseph Mitchell, Cedar Tree by a Fence, 2025
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James Morse, Eastfield, 2020
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Robert Overby, Emil, 1988
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Lisa Sanditz, Grieving/Guacamole, 2024
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Ericka Beckman, Hiatus, 1999
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Sky Glabush, Lake In The Forest, 2020
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Hubert Schmalix, New Post, 2024
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Carl Cheng, Organic Lens Viewer #2, 1972
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Lew Thomas, PORTRAIT EQUALS 36 EXPOSURES, 1972/2015
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Michael Wesik, Salmonberry Thicket, Composition No. 08, 2023
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Tomory Dodge, Sentinel, 2025
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Daniel Dove, Sport Rage, 2013
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Rema Ghuloum, Still Morning, 2024
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Joanne Petit-Frère, Studio Hands #22 - Being Free w/ Isaiah Panther in Bob King Kitty Effect, 2020
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Jackie Gendel, The Air We Share, 2024
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Christy Matson, The Slant of Morning, 2025
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Pat O’Neill, Toulouse, 2013
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Kwame Brathwaite, Untitled (AJASS Model on Black Background), 1970s c.
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Nathan Mabry, Weeping Figure II (Déjà Vu-vu), 2014
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Rema Ghuloum, Arrival, 2023
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Carl Cheng, Art Medicine Kit, 1972
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Tomory Dodge, Cat, 2024
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Lew Thomas, CONSUMER from the series TELEVISION EYES, 1985
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Christy Matson, Crags, 2024
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Daniel Dove, Cranbrook, 2017
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Lisa Sanditz, East Coast Trail, Pouch Cove, With Rowan, 2023
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Nathan Mabry, Heavy Handed (Two-Piece Reclining Figure), 2014
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John Joseph Mitchell, House on the Dunes, 2025
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Robert Overby, No Title (Ref #21), 1988, 16 August
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Hubert Schmalix, Perilous Passage, 2017
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Jackie Gendel, Reverb City, 2024
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Michael Wesik, Salmonberry Thicket, Composition No. 7, 2022
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Joanne Petit-Frère, Studio Hands #23 (Jordan's No.) - BraidCora Weaves Elegance, See These Fingahs (Black Gloves, Black Fit Tee, Black Dip Dyed Bob- Bassed, Blessed? Yes), 2020
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Ericka Beckman, Switch Center, 2002
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Katy Cowan, the almost, reversed, 2021
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Sky Glabush, The Magnetic Field, 2025
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Elizabeth Newman, Untitled, 2010
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Kwame Brathwaite, Untitled (AJASS Model Multiple Exposure), 1970s c.
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Pat O’Neill, Where the Chocolate Mountains, 2015
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Joanne Petit-Frère, (Fin) Studio Hands #24 of BraidCora Quarantina PT1 - Black Braid Brocade (With Love, Signing off), 2020
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Katy Cowan, (Tester) Position, 2019
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Sky Glabush, Anoint My Head with Oil, 2025
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Lisa Sanditz, Between Heart’s Content and Heart’s Delight, 2023
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Christy Matson, Blue Wave, 2024
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Daniel Dove, Cigarette, 2017
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Tomory Dodge, Curiouser, 2022
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Pat O’Neill, EK 5369 #10, 2018
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Rema Ghuloum, Entrance, 2022
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Michael Wesik, Forest Thicket, Composition No. 5, 2022
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Ericka Beckman, Frame Up, 2005
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Hubert Schmalix, Lonely, Small, 2023
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Robert Overby, Mixed Met, 1989, 1 July
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Lew Thomas, NOTES, 1972 reprinted from San Francisco Camera, Vo. 1 No. 6, 1978/2015
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John Joseph Mitchell, Oystercatchers, 2026
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Carl Cheng, Supply & Demand, 1972
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